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Ten sealed envelopes bound with a black spiral binding. Each envelope is stamped with Do not open.
Olson, Richard.
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Title from cover. ; This books [sic] resulted from a 2016 Project Space Residency at Visual Studies Workshop--Colophon.
Bell, Roberley, photographer, author.
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Title from portfolio. ; Text and illustrations on portfolio covers. ; Numbered and signed by the artist.
Baker, Susan, 1946-
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Cover title. ; Colored photographs, with text mainly on transparent overlays. ; In white envelope.
Carroll, Patty.
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Volume 2 consists of ten pieces of wood bound together with twine. Each side of wood contains an inlaid piece of graph paper containing a drawing.
Bailey, Alicia, artist.
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Banner book, with one composite serigraph print printed on 12 hinged panels in a pattern of 3 rows of 4 columns; text mounted on the verso of the composite rows, designed to be read in a single linear stream. ; Title, artist's statement and colophon on folded upper paste-down endpaper. ; Edition limited to 12 numbered copies. ; Issued in a decorated clamshell box.
Timm, Jill.
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Designed and produced by the artist in iMovie and Photoshop with Garamond Premier and Stone Sans fonts. Printed digitally on Inkpress Matte paper, 180 gsm with an Epson Stylus Photo R3000. Screw post binding. There are eight copies in this edition.--Colophon. ; Laid in white Strathmore paper lidded box with ribbon lift. Image mounted on lid.
Levergneux, Louise, artist.
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On 26 September 2014, students from the Rural Teachers College in Ayotzinapa, a town in the Mexican state of Guerrero, boarded buses for a trip to Mexico City to join a march commemorating the Tlateloco Massacre of 1968 in which hundreds of students lost their lives at the hands of the military and police... I found much of the vocabulary in accounts of the disappeared ... This book grew out of the list of those words which, sadly, became a word-portrait of los 43. The photographs in this book were made in Oaxaca, Mexico, the state just south of Guerrero, between 2014 and 2016--Colophon. ; Printed in an edition of 50 copies, numbered and signed by the artist.
McCarney, Scott, artist.
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Author and title from supplemental information. ; Illustrations are silhouettes, which have been cut out from each page.
Morgan, Olivia.
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Empty Nest chronicles the happenings surrounding a nest of newly hatched barn swallows in the eves of a beach cottage and the three short weeks until they are out of the nest. Shadowing that is the human story of children growing up, of time passing in the blink of an eye.--Women's Studio Workshop website, http://www.wsworkshop.org/ , viewed October 13, 2010. ; Empty Nest was made possible by a grant from the Women's Studio Workshop in Rosendale, NY. WSW is funded in part by the New York State Council on the Arts. The plate lithography images were printed at the University of the Arts, Philadelphia, PA. All other processes were completed at WSW: the letterpress printing, using a Vandercook press and polymer plates, the screen printing, the papermaking, and the binding. The paper is handmade, 50/50 abaca and cotton, with the addition of Art Farm rye to the cover paper. The type is 13 point Optima, except for this colophon, which is 10 point--Colophon. ; Limited editon of 55 copies.
Viguers, Susan T.
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Title page attached to inside of hinged box lid. ; Limited edition of three copies, signed and numbered by the artist. ; Designed and produced by the artist in iMovie and/or Photoshop with Arial Narrow and Edwardian Script fonts. Inkjet images printed on Lasal Photo Matte and Inkpress Matte papers with an Epson Stylus Photo R3000--Colophon. ; Two volumes issued in a red Iris bookcloth-covered hinged-lid box with inset wells and ribbon and knob closure. Paper labels featuring an illustration of a butter plate, title page, and colophon (in English and French) are inkjet printed and attached to the inside of the box. A paper label inkjet printed with the title and two small metal spoons are attached to the top of the box. A flip book and small tray containing a concertina book are laid into the wells of the box. The 116-page flip book was created by filming a couple eating soup, then bringing the video into photoshop for the images to be placed into a template. It is bound into a red cloth-covered mat board spine with screw posts. The concertina is illustrated to look like a piece of bread throughout, and features 13 Turkish Map folds inkjet printed with dialogue. The concertina is attached at either end to separate illustrated boards with removable paper spines, and laid in a tray with bread basket illustrations attached to all sides. Author's signature and copy number in pencil on the concertina. ; UR Libraries has limited edition copy 1/3.
Levergneux, Louise, book artist.
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Cover title: The Sunset Strip.
Ruscha, Edward.
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Limited edition of 9 copies, signed and numbered by the artist. ; Box containing 14 unbound text panels in 2 sections plus a casebound book ... Reproduction: laser etching, laser printing, solid ink color prints, hand relief printing ... Book board, mica, gold plated metal, shellac, Italian composition leaf, acrylic, rayon ribbon, hand printed Verona book cloth ... Black museum board with paper handmade by Andrea Peterson--23 Sandy Gallery Booksellers' website, viewed on September 22, 2015. ; Two sets of painted wooden leaves with painted and engraved wooden covers, with ribbon closures. Pamphlet-sewn signature in cloth over boards holds an offset printed essay. Both sets of wooden leaves and sewn pamphlet are issued together in a wooden box with removable lid. Box is painted red and gold with lotus and shoe engravings. Circular hole is cut out of the top of the box and covered with clear plastic, displaying a metallic lotus charm. Title is engraved above the cut-out.
Bailey, Alicia, book artist.
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Signed, dated, and numbered on verso. Title and all printed information is from a wrapper fitted around the folded sheet. ; Printed one side, in a design resembling a quilt of 3 x 4 panels, cut to fold into a square. ; Printed in an edition of 500 ... produced at the Visual Studies Workshop Press as part of Landscape/Land Use, a collaborative arts project in Rochester, New York.
McCarney, Scott.
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Leventhal, Dani, 1972- book artist.
ReStack, Sheilah, 1975-
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Title and description from colophon. ; Limited edition of 3 signed and numbered copies. ; Explosion box with Turkish Map Folds, cloth over board binding with inkjet printed images. A small red 3D printed house sits inside a larger pearl white 3D printed house.
Levergneux, Louise, book artist.
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Hand-sewn artist's book includes written statements indicating distress, followed by the word fine on textured paper.
Kazimir, Alexandra, author.
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Adzak blind stamped on cover. Title from page 3 of cover.
Adzak, Roy.
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Conceived and assembled in the cold, using transparencies of etchings, UICB koza, Japanese book cloth, and 2-ply museum board. 50 books were made during the winter of 2001--Colophon. ; For best viewing, place in front of bright light. ; Suspended in framed window cuts, these subtle changing images on acetate convey the displaced passing of time that can accompany a series of sleepless nights.--Women's Studio Workshop website, accessed June 25, 2004.
Langworthy, Sara.
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An artists' book. Bound accordion-fold and laid in a cloth covered chemise folio with title on spine. Housed in a red cloth-covered slipcase. ; Combining the traditional processes of papermaking, letterpress printing and bookbinding, Fission was written, printed and bound by Kate Barber in Tuscaloosa, Alabama during the 2013-2014 academic year. Work began in the Lost Arch Papermill where almost 400 sheets of 60% raw cotton/ 40% bleached abaca were made. Moving to the fifth floor studios of Gorgas Library, the sheets were printed on a Vandercook SP-4. The text is digitally set in 11 point Sang Bleu Sans Light. The imagery is created using a combination of linoleum and photopolymer plates--Colophon. ; Artist's statement: Tracing the interrelated co-evolution of earth and life, this project explores the connection between the enormity of the universe and the microscopic details of life. Three pamphlet insets explore the development of Earth, molecules, and life. They are structured to hide and reveal text and images, which allows the reading to unfold organically. The text continues onto the back of the accordion where it delves into humanity. The imagery is comprised of contrasting organic circles and graphic lines. These polar aesthetics work in tandem with the text and play off each other to create their own unique narrative--Vamp & Tramp, Booksellers, LLC website, viewed September 4, 2014. ; Thesis excerpt: When I originally settled on the accordion/pamphlet structure, I imagined two narratives. Not competing narratives, but rather two sides that could be read together or stand alone - one textual, one visual. So as I worked on the imagery, it was important to focus on developing a cohesive narrative that would both connect the front and back in a visual narrative loop and enhance the reading of the text. I took my visual and color inspiration from a variety of sources ranging from human and plant details and fossils to cosmic maps and cityscapes .... I poured over the internet for images that captured both the micro and macroscopic details of life, looking for the common threads and ways to simplify and unify ...--Vamp & Tramp, Booksellers, LLC website, viewed September 4, 2014. ; In an edition of 50.
Barber, Kate, artist.
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Written and produced by by Amy Schmierbach through an Artist-in-Residence Grant sponsored by the Women's Studio Workshop.--Colophon. ; Selection of ten wallpaper samples with a poem printed on them. Printed in an edition of 50 using silk screen and intaglio processes. ; Signed and numbered by the author.
Schmierbach, Amy.
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Crystal Z. Campbell worked on For the Record during her October 2019 residency at VSW. --Publisher's description. ; Book is cut in the shape of a triangle.
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The Forest Fern image is a hand pulled serigraph printed on archival printmaking paper ... with matching clamshell case--Publisher's Website.
Timm, Jill.
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Art object is a folded accordion-style book without text. Instead, each narrow "page" contains patterns. Slit concertina with relief printing.
Title and author information from accompanying flier.
"Gathering spaces is a one-of-a-kind artists' book which consists of collagraph and a slit concertina binding structure. The conceptual base is the creation of a contemplative space. The intent of the artist is for the viewer to reflect upon the act of gathering; formally as in the gathering of materials, paper and folds, and conceptually as in the gathering of communities." -Ann Kresge
Kresge, Ann M.
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Art object is a double accordion-style book with color viscosity printing. There is no text.
Title information from accompanying card.
Kresge, Ann M.
